Veronica Funk
What first inspired you to try art?
I have always loved art and cannot remember a time in my life that I wasn’t drawn to all forms of arts and crafts. At 4 years of age I learned to crochet and hand sew. In grade 3 I began drawing the Archie comics because I was named after Veronica; my parents had immigrated from South America and my mother used comics to learn English. I was fascinated by the Indigenous art and anything handmade When I moved to Alberta during grade 11, I was finally given the opportunity to study drawing and painting formally in drafting and art classes then went on to study Art & Design at Red Deer College in the mid-1980s.
Was there ever a moment you wanted to quit art all together, and if so what brought passion and inspiration back?
About 15 years ago I became discouraged by the art world. At that time my work was represented by galleries in Canada and the U.S.A. Sometimes work would be damaged or ‘go missing’ and at others I wasn’t paid for sold work or received very hurtful criticism and I decided to give up after 10 years of professional representation. I donated supplies and studio furniture and decided to focus on my other work and family. I began bursting into tears randomly and thought that I had finally succumbed to clinical depression, which is common in my family history. At dinner one night as I was crying I said I didn’t know what was wrong but my daughters (quite young at the time) told me, “Mommy, you just need to paint.” I began painting again for me and haven’t looked back since.
Have you gone to art school or are you self taught? If you’re self taught what resources or exercises did you use to learn?
I studied Art & Design in the 1980s, then went on to mentor with a painter, a potter and a stone sculptor through the Winnipeg Art Gallery. When I returned to Alberta 25 years ago, I received the most encouraging unofficial mentorship from Alberta artist Audrey Mabee. I loved what I learned and all the different media I was exposed to in art school and really appreciated all the encouragement I received from my instructors, but I think I learned the most from professional artists. The biggest lesson was to trust myself.
What is the most challenging part about being an artist for you? How did you overcome that challenge?
There have been several challenges ranging from learning new media, I used to work in woodcut prints, had a kiln to create hand built sculpture, was accepted into Fashion Design in Ontario – I didn’t end up going – and returned to my first love…painting, to physical challenges. My studio is in my home so changing the type of paint I use throughout the years to accommodate that has been challenging but fun. Also, a number of years ago I developed adhesive capsulitis (frozen shoulder) in both my shoulders. After many years of treatment, I have had to give up working on the large canvases I preferred so I began creating larger bodies of work on smaller canvases. That was another wonderful turning point for me though it also brought challenges, such as how and where to exhibit the work as it isn’t typically shown in commercial galleries.
What does art mean to you?
It means everything. Not only does it help with my mental health as I don’t struggle with anxiety or depression when I create regularly, it is also incredible to hear how my work affects others deeply. That is so rewarding.
What would you recommend to new artists trying to build a career? What are the keys to
success?
The first thing is to trust your instincts…pay attention to what you like to create and how you like to create it, don’t worry about what is popular because that changes rapidly. The second would be to treat yourself as a professional artist…create your own website, there are many great free platforms out there. Finally, try things out to see if they resonate with you (ie. Markets, check gallery websites for their submission process,
Print-on-demand like Society6/Red Bubble, etc) but don’t spend any money that you cannot afford to loose. This is a great way to see how you like to present your work in the world. I also have a page on my website with information from this to stretching canvas and finding inspiration (www.veronicafunk.com/free-art-esources.html).
What would you go back and tell your younger artistic self if you could?
Several years ago I wrote a list of what I would tell my younger self:
1/24/2013
Recently I came across a photo from art school and wondered, 'What would I tell my 20-year-old self now?'...and these ten things came to mind:
1. Don't hold too tightly to anything...letting go allows you to let other, greater things in. Honestly...you'll learn this to be true.
2. Enjoy the process...seriously. The work is so much fun, don't worry about what you 'should' do or how to do it, just have fun in whatever you do and it will all fall into place.
3. Nothing happens overnight...it takes time to build a portfolio, and more importantly, to build your character.
4. The tough stuff, both personally and professionally, usually precludes the good stuff. Those 'dark nights of the soul' are necessary for growth and development...it's true!
5. Don't be afraid...I know that at 20 you think you feel infallible but fears do arise. Let them go. Just breathe.
6. Be kind and gracious to others. And when you aren't, because there will be those times, apologize...and mean it!
7. Don't complain...don't fall into the trap of negativity...it's not becoming. You always, always have a choice...whether that is to change your attitude or your circumstances. It's not someone else's fault or job to make you happy. It's up to you.
8. Keep working. Whether that is caring for yourself, your home, your family, your job. Apply yourself and do your best.
9. Do it your way. There is no one-size-fits-all method of success. Trust your heart. If you want to teach, teach. If you want to write, write. If you want to do many things, do them. If you do what is true to you, you will find joy.
10. Keep learning...by talking to others, reading, taking classes. Even if it doesn't feel connected to what you do, it will trigger ideas.
Where do you see yourself in the future? What are some of your goals?
Right now my goal is to figure out how I want to use watercolour as it has been my latest challenge. I’ve also become interested in more Artist Residencies in order to spend some time to work on a new body of work, one that focuses on women again.
What drives the inspiration in your paintings? How would you describe your style?
My biggest inspiration is the world around me and how I respond to it. The ‘Simple Pleasures’ series focused on interiors as I had two babies who had to be nursed for over two years because of sensitivities so I sketched the room around me while I sat then transferred those sketches to large canvases. My ‘Sacred Vessel’ canoes began because I had missed northern Manitoba, the Churchill River, the boreal forest for so long and the work helped to ground me. The idea for the portrait projects actually started because my youngest daughter suggested I paint portraits because I hadn’t done them since I applied for college – then the work work high realism in pencil, which I didn’t enjoy so I began utilizing colour and pattern in an illustrative manner. The ‘Nasty Women’ were a positive spin on a negative political situation: ‘The Grandmothers’ was inspired after I learned that my great grandmother had utilized a Canadian medical book to learn about sterilization in South America, her photograph is apparently still displayed in a hospital in Paraguay and began just before COVID19; ‘Woman’s Work’ was a response to the fact that women were predominately affected by job loss during COVID19.
My style traditionally features pattern and colour though that has been changing slightly lately. The focus of my work has become storytelling…honouring the lives + stories of women through portraiture.
Email: veronicafunk@outlook.com
Website: www.veronicafunk.com
Instagram: @veronicafunk